|일러스트레이션에 있어서 원시미술의 조형성과 현대 일러스트의 영역확장에 관한 연구|
|첨부파일||일러스트에 있어서 원시미술의 조형성과 현대일러스트의 영역 확장에 관한 연구 - 함부현.pdf|
일러스트에 있어서 원시미술의 조형성과 현대일러스트의
영역 확장에 관한 연구
A Study on the shape character of the primitive art in illustration
없ld the domain extension of modern illustration
함 부 현
1 . 서 론
Il. 본 론
1. 원시미술의 개념
2. 원시미술의 조형적 특성
3. 일러스트레이션의 개념과 현대 일러스트레이션의 영역
4. 국내 일러스트레이션의 현황I갤러리 일러스트레이션을 중심으로l
5. 국내 일러스트레이션의 문제점 및 개선방안
III. 결 론
Evenif primitive art had printed off it’s footprint distinctly on the world
art, it really make me feel sorry that the most people don’t know the meaning
of primitive art until now. The primitive art is the character that shows the
phases of the primitive ages well. Although the primitive art containing the
magical, sorcerous contents looks somewhat different from the modern art, it
shows the spirit of that times with insight well.
In a sense, the primitive art is more realistic and objective than the
modern art. The primitive art is explained properly by the word of ’prehistoric’
rather than the world of ’ historγ’ . The ’ histoη’ means the history of the
records written by the medium of scripts. The primitive art had been
expressed by the picture itself rather than scripts because although the
mea:ning of the primitive art is identical with scripts, it is more or less
nreasonable that the primitive art had been expressed by scripts.
Therefore when we discuss the primitive art, we should avoid the word of
’ histoη’ as much as possible.
In the early stage of the 20th century, the illustration work has taken
charged of by painters. A1though the behaviors of the modern painters are
cu1turally, environmentally, politically different from those of the primitive
times artists, the proposition of informing the meaning of their paintings
through visualization is the same.
The participant scope of illustration is gradually expanding now from
painters, visual designers, cartoonists, critics and character designers to the
ordinarγ peoples being interested in illustration and the specific peoples
having the ability of making a visual thing the meaningful shape.
According in that we can conclude that the origin of illustration goes back
the beginning of humankind appearance. As the illustration plays an
important part in the stream of modern arts and the function of the
information society these days, it has penetrated the every visual culture
having relation with a society and become a kind of the social arts field.
Therefore the illustration has to come into closer relation with the general
public and be in harmony with them, and it should growto be the most
In the 20th century, the deep interest in the primitive art, which has been
on the rise as the mechanical civilization develops rapidly, last constantly.
That is the reason of the behavior pattern of humankind based on the
humankind’s basic behaviors. According to those behavior patterns, the
primitive men made their vivid on the spot experience the formative beauty
The recurrent mentality to the nature . of the humankind yearning for the
pure and primitive instinct affect the modern men living in the mechanical
and standardized civilized life too. We should relive the strong creative power
comprised in the primitive art for the creation of the new humanism and the
enhancement of humanity. Because that is the source of inspiring the modern
men, who is being hardened by the mechanical civilization, with dreams and
imaginations. And because the modern men’s endeavor to restore humanity
can get the effect of life power transmitted to humankind is inner world by
approaching more intimately the primitive art.
The purpose of this study is to grasp the concept of the primitive art which
is the origin of tough life power and pureness, and to analyze the formative
sense being expressed in the primitive art by space sense, color sense and
After that the influence of the primitive art on the modern illustration is
taken a glance a t.